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Clear and Entertaining Missing the Boat, John
Daniel (Etruscan Books) |
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I really began to enjoy John Daniel's poetry as I
re-read this collection, a beautifully designed artefact from the Etruscan
stable. It's a slightly odd choice for Nicholas Johnson, the editor, though,
as most of his other authors are in the various compartments of the
'avant-garde' if such a thing still exists these days. No matter, this is a
very welcome shift in emphasis, or even a one-off to even the balance a
little. The real strength of these poems is that Daniel
rarely puts a word wrong, whether he is writing about looking after his
elderly mother (Pushing 100), being in the supermarket or the launderette, his
early memories of the beginning of WW2 or musings on the painting of a friend
(Peter Archer's Chimney and Tree), the narratives are always
clear and entertaining. Indeed, humour is what fuels most of the work
included here (with the exception of a few more serious pieces) and
re-reading them on the page induces the lucky reader to recall John reading
them aloud, with deliberation and a sense of climactic progression which is
extremely entertaining. Let's take Upside Down in the Barbican, where
Daniel recalls an episode where a teaching colleague named Steve Crook fell in
to the waters of Plymouth's Barbican after a drinking session. The trigger is
coming upon Crook's name years afterwards while searching a computerised
catalogue system. Daniel's witty use of language is a treat throughout and
the way he slips in erudite references without it feeling remotely like
showing-off is quite expert: ...............Luckily the tide was out, and luckier still he corkscrewed around as he stepped off into the blackness and landed on his back in the deep mud spreadeagled like a starfish staring up at the stars, Cassiopea,
Orion It must have been that moment he conceived Foundationalism and
anti-Foundationalism in Radical Social Theory feeling the sinking mud at his back while he stared up at the heavens and
they stared back at him until the dawn came up over the
Katherine and May and The Dolphin. Hilarious and beautifully put together. In the Supermarket is a
shorter poem which posits the persona as 'voyeur', being enchanted by 'a lady
of unbelievable sexuality' who has caught his attention while shopping. It's
an extremely amusing poem which captures a moment of male confusion and
vulnerability and ends with a fantastically unforgettable simile: as she swims out disturbing the entire lake, and I follow my two plastic bags banging against each other like giant testicles There's also a lot of nostalgia in these poems but
it's a nostalgia which avoids sentimentality and thus earns its keep. Conkers is a
poem which is essentially about age and youth and their different
perspectives, a beautiful encapsulation which is quite perfect. When I was young conkers were old vinegar-faced dangling from gallows baked, swung across thumbs taut as a bowstring, lives reckoned in battles, splintered and quartered. Now I am old conkers are young, cradled in cribs of white velvet, vulnerable, mahogany jewels on brown and green fingers touching the earth. It's a poem filled with shared experience that an
audience can respond to without difficulty, although it's obviously easier
for an older person to relate to. Some would argue that the mood or 'intent'
of the piece closes down the readers' options, that it's not open-ended and
thus limited in what it can achieve, but I think there's still room for such
poetry and in the hands of someone as skilled as Daniel it's a pleasure to
read. He has a neat line in cracking similes as well! Special Delivery is a
revenge fantasy which hints at the Monty Python Grail film and gets very personal indeed. A letter arrives at
the door announcing the redundancy of a loved one and the protagonist gets
busy with his (imagined!) weapon - a samurai sword - attacking the college
dean with an obvious relish: I chased him into the Staff Room and cut off one of his legs under the portraits of past principals the silver arc taking it clear off a spurt of blood landing on Michael Roberts' glasses dribbling down the gold frame. The fact that said protagonist has been reading What
the Buddha Taught just prior to receiving such bad news sets up a
comic element which is sustained throughout the poem and offsets its obvious
savagery. Barry Tebb will be jealous if he ever reads this poem! Marie Celeste is another poem of
nostalgia, this time evoking the wonderful imagination of boyhood as well as
its frustrations - 'My parents were leading their meaningless landlocked
lives' - and is as usual free of faults, on its own terms it's a near-perfect
poem. War is a subject which creeps into Daniel's work and
Church Murals, Black Boughton, Oxfordshire, is a poem
which deals with the invasion of Iraq with a controlled anger which is
impressive and effective. When in serious mode, Daniel is capable of taking
his work to a higher level and I'd love to see a larger collection of his
poetry which includes more of this: Perhaps the churches should paint the
walls again the boy with no arms in Iraq, Bush's
rockets the soldiers shelling a farmhouse Then we could whitewash over the top and unpeel them later, venerable relics the Massacre of the Innocents something for the people to look at the stoning of Kelly, a lesson to the
illiterate bright colours, a focus instead of these plaques to the gentry,
Oxonian squires. It's the quiet almost-cynicism of this which really
makes it work, an indictment of a pointless conflict (aren't they all, in the
end?) which knows it will make no difference, but sometimes there's a need to
stand up and be counted and poems can be useful in such a situation. As I've already said, I really enjoyed reading this
collection and I look forward to a more complete rendering in due course.
© Steve Spence 2008 |